![]() Alas, while it's an excellent 1080p camera, it's a poor option for 4K – which loses Dual Pixel AF (left lumbered with contrast-detect) and suffers a 1.6x crop. These include improved autofocus (along with eye detection in stills and video), along with big boons for video shooters in the form of clean HDMI out, vertical video recording, and the ability to live to stream directly to YouTube. On the surface, this is a modest upgrade over the original Canon EOS M50, but the additions make it worth picking up over its predecessor. Read our full Canon EOS R7 review for more details Throw in a joystick, fully articulating touchscreen and dual memory cards, and this is one of the best bang-for-buck Canon cameras out there. On top of that, it accepts both the new line of RF-S (APS-C specific) lenses as well as the existing full-frame RF optics. There's plenty of play in the files, which gave us lots of leeway for post-production, and the video quality is crisp and clear in both 4K, whether it's the 4K 60p or 7K-oversampled 4K 30p, with autofocus performance straight out of the R3 / R5 / R6 that won't let you down. It's lightning-fast both mechanically and electronically, the resolution offers glorious detail as well as the opportunity to crop into your shots, and the 1.6x crop factor makes your lenses even longer for shooting faraway subjects. But it's fun to speculate.Not only is the Canon EOS R7 the manufacturer's finest APS-C mirrorless camera to date, but it may also be the finest APS-C camera on the market period. Since all the talk about the new R MKII or whatever they will name it, I'm not counting my chickens until they hatch. I just used the adapter yesterday night to shoot the super moon on my EF 300mm lens. I'll keep using it until I can afford to replace all my EF lenses with RF versions. The adapter works very well as its main purpose is to increase the distance between the back of the lens and the sensor. ![]() I have an EF-RF adapter with the control ring because I wanted to go back to the days when I used to adjust my aperture on the lens. I'm so pissed about it, that I've added it to my pre-flight checklist for weddings. I shoot RAW so I'm able to make the adjustments but it slows my workflow way down. I guess the best example is a wedding reception I photographed over Zoom, I forgot to switch to a fixed temperature and now I'm adjusting every image to attempt to make them match. ![]() It's the reason why many photographers prefer to have their gallery to be a near consistence color temperature which is best for albums. I manually pick my color temperature for both indoors and outdoors. That said, I never use AWB or AWB-W for weddings. Which I always use for general photography. In natural light, all three are the same.Īs for AWB and AWB-W, Canon and many other brands offer AWB-W that prioritizes cooler tones under artificial lights. I remote in with my phone so I'm not touching my camera whiles it's on the motorized tripod.įor Auto White Priority, the book says, “Choose for whiter whites in scenes lit by incandescent bulbs.” And for Auto Ambience Priority, “Choose for warmer whites in scenes lit by incandescent bulbs.” Essentially, Auto White Priority is the same as Auto White Balance, except it has a cooler tone under artificial light, and Auto Ambience Priority is the same as Auto White Balance, except it has a warmer tone under artificial light. Heck, I thought I would use it for astrophotography but still, I don't use it. I've even reprogrammed the light button to switch to my strobe settings. Sure it's mandatory for the old DSLRs, but I find myself never looking at that. I think it's pointless now all that data shows up in both the EVF and backscreen. The RP doesn't have dual slots which makes me a little nervous but I often look at the images (as I should be doing regardless of how many cards it holds) to see if my shots are turning out the way I expect them to. For an extra layer of backup, the GNARBOX will upload wirelessly to my phone then to the cloud which then downloads it to my computer in Capture One 22. I also have the GNARBOX which I back up all my shots for the day. I only need 20MP to shoot a wedding, but I lose the ability to crop in post without losing details. It's a full frame 26 MP which I know I can finish out the day with. I have access to my friends 30MP R whenever I need it. I've had three firmware updates since then and never had any issues. I shoot with my R5 five days a week and it's only frozen once. ![]() Meaning it stays in the bag until needed as these cameras are very reliable. That said, it does work well as a backup camera in a pinch. ![]() □ I agree that the R isn't the best choice for a primary camera for wedding photography because of the lack of two card slots. ![]()
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